External antenna gain level

DI Plus Read user experiences here. "The ULTRASOUND DI Plus is a very powerful tool for any musician. This is not only a DI but a full featured preamp designed after our famous AG-series amps. Whether at a local open mic night or at a major concert venue, you will be able to dial in the clear natural acoustic sound that our amplifiers are known for, and route it to the stage PA through a balanced XLR output. Sound engineers will appreciate the versatile controls and the optional 48-volt phantom power operation. Therefore, no more wall warts or batteries if your mixer has phantom power. (Originally called ULTRA PDI.) INSTRUMENT INPUT: This input is designed for all passive and active type pickup signals. When a plug is inserted, the 9V battery is switched on. INSTRUMENT OUTPUT: This is a "parallel" jack which can be used to send the "guitar/instrument signal" to an external tuner, guitar amp or other device which can use an instrument level signal. EFX LOOP: This is a real world "EFX LOOP". In an effort to save room, most of our competition uses a TRS jack (tip, ring, sleeve) and Y cable type system. The DI+ is provided with two 1/4" jacks, one for "SEND" and one for "RETURN". Since the EFX LOOP interrupts the signal path it can be used as an insert point for a volume pedal, compressor, or tuner, if the tuner is equipped with a bypass switch. (Try that with one of our competitors units) SEND: The signal on the SEND jack is post-input gain and pre EQ. This means that you can use the SEND signal as an auxiliary unbalanced direct output. This signal is not affected by any of the panel controls with exception of the "INPUT GAIN" control. RETURN: A plug inserted into the RETURN jack will interrupt the signal path. The signal on the tip of the plug inserted into the RETURN jack will be the signal that the DI Plus will process. INPUT GAIN: The "INPUT GAIN" is not a volume control, rather this control sets the level of amplification applied to the input signal to boost it to a useable level. The reason this is adjustable is to accommodate a wide range of pickup devices. BASS: This is an "Active" control. The BASS control adjusts the amount of cut or boost in the low frequency (150HZ) range. TREBLE: This is an "Active" control. The TREBLE control adjusts the amount of cut or boost in the high frequency (5kHZ) range. NOTCH FILTER: ON/OFF - Enables or disables the NOTCH FILTER control. FREQ. HZ - Sets the frequency (100-350HZ) of the 18db cut NOTCH FILTER that is used to control resonant feedback. SHAPE: ON/OFF - This toggle switch enables or disables the SHAPE control. This control is a mid dip control. In the ON position, the mid frequencies will be cut and the high and low frequencies will be boosted. PHASE: IN/OUT - Changes the polarity of the signal. Phase affects the way the guitar top is pressurized by the loudspeakers. When the signals are out of phase with each other, low-end feedback is minimized. If you experience ⤽positive acoustic⤝ feedback on stage, flip the phase switch from its current setting to see if this will kill the feedback. If inverting phase alone does not eliminate feedback, the notch filter can be used. Phase will also affect the way the guitar signal mixes live and when recording. XLR LEVEL: This control adjusts the amount of signal sent to the XLR OUT jack. LINE LEVEL: This control adjusts the amount of signal sent to the LINE OUT jack. 48V: (Phantom Power) This LED lights when there is 48V Phantom Power present on the XLR OUT jack. No battery drain will occur when Phantom Power is present. POWER: This LED indicates the DI PLUS is ready to operate. The POWER LED will illuminate when: A. A plug is inserted into the INPUT jack and there is a fresh battery installed in the DI PLUS. B. A 9VDC adapter (Wall Wart) is plugged into the power jack. (9VDC Regulated Power Supply - 500mA) (2.1MM DC Power Plug, Center +) C. There is 48V phantom power on the XLR cable plugged into the XLR OUT jack. (The 48V LED and the POWER LED will both be illuminated.) XLR OUT: Plug a standard XLR cable from your PA or recording console into this low impedance balanced output. Use the "XLR LEVEL" control to set the output level which matches up best with your PA or recording gear and gives you the least amount of noise. If your board provides 48V phantom power on the XLR cables, the DI Plus will run from this and save the battery. It is suggested that you keep a battery in the unit as a backup when using the phantom power. If the phantom power drops, the DI Plus will automatically switch to battery power. LINE OUT: This is a standard unbalanced line level output signal. Use the "LINE LEVEL" control to adjust the signal level on this jack. This output can be used simultaneously with the XLR OUT jack for some creative signal routing. Plug a standard instrument cable from this output to a stage monitor amp or unbalanced Mic input on a mixer.

Roland TR8 Rythm Controller TR-8 è un drum machine che fonde le inconfondibili sonorità di TR-808 e TR-909 con tutte le comodità odierne. I suoni caratteristici, i classici effetti e i controlli intuitivi. A tutti gli effetti una TR! L'essenza dell'originale Riproduzione competa delle classiche TR-808 e Tr-909, basata sui progetti originale e sull'analisi della circuiteria effettivamente usata sulle macchine originali. La nuova tecnologia Analog Circuit Behavior permette di ricreare il suono e il comportamento di ogni singolo elemento,incluse le più piccole variazioni di tono che si verificavano al muoversi dei vari controlli. Massima attenzione ai dettagli, come la riproduzione delle variazioni di tono quando più strumenti sono inseriti in step accentati Step sequencer con TR-behavior, inclusi i pattern A e B e la possibilità di suonare e registrare in realtime. TR Evoluzione 16 kit composti da 11 strumenti, inclusi alcuni kit misti, che usano suoni della TR­808 e della TR­909 Comodissima manopola del tempo, tasto "Tap" e knob di "Fine" e "Shuffle" Knob dedicato all'intensità dell'accent Riverbero e delay su step, con controllo dedicato Ingresso external IN con funzioni automatiche di gate e duck, per ottimizzare il collegamento con TB­3 Display LED a 7 segmenti e 4 caratteri e 16 pad con illuminazione colorata Creazione dei pattern in realtime, fino a 32 step Rullate realtime (ottavi, sedicesimi, VARI1 e VARI2) Copia e randomization dei pattern, per il massimo della creatività Due uscite analogiche assegnabili e uscite parallele via USB, per una flessibilità totale Su TR­8 ogni controllo è solido e preciso, con un fader individuale per ogni strumento. I tasti e gli knobs sono illuminati in RGB, garantendo comodità e colpo d'occhio. Creare i pattern è semplice e divertente, grazie all'evoluzione del metodo TR­REC, quello originariamente pensato per TR­808 e poi divenuto uno standard. Il nuovo metodo TR­ REC supera però l'originale, permettendovi di passare in un secondo dalla programmazione al realtime play. Lo Scatter è una funzione unica che offre la possibilità di variare i propri pattern in un modo completamente nuovo e completamente realtime. Si può invertire, interrompere, bloccare, ripetere fino a livelli estremi, il tutto in perfetto sync. Scegliete tra 10 diversi tipi di scatter, e dosate l'intensità dell'effetto, grazie alla comoda dial. Passate da un tipo di Scatter all'altro in un istante, e inserite o disattivate l'effetto in qualsiasi momento. TR­8, moderna e accattivante, è progettata per lavorare perfettamente con gli altri prodotti della serie AIRA. Inoltre, potrete collegare TR­8 al vostro computer per trasmettere i dati audio e MIDI, incluso il MIDI Clock per mettere in sync dispositivi esterni e le altre unità AIRA. Funzioni aggiuntive Versione 1.10 BACKUP AND RESTORE Salvataggio e caricamento dei kit e dei pattern su USB SUONABILITÀ MIGLIORATA Personalizzazione dei kit regolando il gain di ciascuno strumento per personalizzare lo stile Funzione roll migliorata, più semplice, controllabile e migliore Scatter latch on/off Lo scatter si disattiva automaticamente dopo un ciclo Sync reset, per entrare subito nel groove iniziando un pattern dall'inizio EDITING MIGLIORATO Funzione "lock" per bloccare l'impostazione di un pattern e poterlo modificare senza perdere le impostazioni originali Modifica delle parti A o B di un pattern senza bisogno di stoppare il sequencer MIDI MIGLIORATO Funzioni Local ON/OFF e Controller per impostare il modo in cui sono gestiti i dati MIDI Velocity MIDI legata all'impostazione dell'Accent Selezione dei Kit attraverso i MIDI Control Change Scatter completamente controllabile via MIDI Registrazioni dei pattern in real time da dispositivi MIDI esterni Disattivazione di tutti i messaggi MIDI in uscita Ignore Play/Stop, segnele se TR-8 deve oppure no rispondere ai messaggi PLAY e STOP Controllo degli effetti attraverso i messaggi di MIDI Control Change Specifiche User Drum Kits:16 User Patterns: 16 Steps per 1 measure: 1 - 16 steps x 2 (Variation A/B) Tempo: 40 - 300 Instruments & Controls: BASS DRUM: LEVEL, TUNE, ATTACK, COMP, DECAY, INST SELECT SNARE DRUM: LEVEL, TUNE, SNAPPY, COMP, DECAY, INST SELECT LOW TOM, MID TOM, HIGH TOM, RIM SHOT, HAND CLAP, CLOSED HIHAT, OPEN HIHAT, CRASH CYMBAL, RIDE CYMBAL: LEVEL, TUNE, DECAY, INST SELECT Effects and Controls: ACCENT: LEVEL, STEP REVERB: LEVEL, TIME, GATE, STEP DELAY: LEVEL, TIME, FEEDBACK, STEP EXTERNAL IN: LEVEL, SIDE CHAIN, STEP Mode: TR-REC, PATTERN SELECT, INST PLAY, INST REC, DRUM KIT SEL, DRUM INST SEL Controllers VOLUME knob SCATTER knob TEMPO knob FINE knob SHUFFLE knob PADS: 16 MODE buttons: 6 CLEAR button VARIATION buttons: A, B SCALE button LAST STEP button START/STOP button SCATTER ON button SCATTER DEPTH button TAP button Power Switch (Rear) Display: 7 segments, 4 characters (LED) Effects: REVERB, DELAY, SIDE CHAIN Scatter: Types 10 Nominal Input Level: -10 dBu Input Impedance: 100 k ohms Nominal Output Level-10/+4 dBu (Selectable) Output Impedance: MIX OUT, ASSIGNABLE OUT: 1 k ohm PHONES: 130 ohms Connectors PHONES jack: 1/4-inch stereo phone type MIX OUT (L/MONO, R) jacks: 1/4-inch phone type ASSIGNABLE OUT (A, B) jacks: 1/4-inch phone type EXTERNAL IN (L, R) jacks: 1/4-inch phone type USB port: USB type B (Audio, MIDI) DC IN jack USB: Audio, MIDI Power Supply: AC adaptor Current Draw: 1,000 mA Accessories: Owner's manual Leaflet "USING THE UNIT SAFELY" AC adaptor Dimensioni Largo,Prof., Alto (W/D/H): 400mm/260mm/65mm Peso: 1.9kg

DI Plus Read user experiences here. "The ULTRASOUND DI Plus is a very powerful tool for any musician. This is not only a DI but a full featured preamp designed after our famous AG-series amps. Whether at a local open mic night or at a major concert venue, you will be able to dial in the clear natural acoustic sound that our amplifiers are known for, and route it to the stage PA through a balanced XLR output. Sound engineers will appreciate the versatile controls and the optional 48-volt phantom power operation. Therefore, no more wall warts or batteries if your mixer has phantom power. (Originally called ULTRA PDI.) INSTRUMENT INPUT: This input is designed for all passive and active type pickup signals. When a plug is inserted, the 9V battery is switched on. INSTRUMENT OUTPUT: This is a "parallel" jack which can be used to send the "guitar/instrument signal" to an external tuner, guitar amp or other device which can use an instrument level signal. EFX LOOP: This is a real world "EFX LOOP". In an effort to save room, most of our competition uses a TRS jack (tip, ring, sleeve) and Y cable type system. The DI+ is provided with two 1/4" jacks, one for "SEND" and one for "RETURN". Since the EFX LOOP interrupts the signal path it can be used as an insert point for a volume pedal, compressor, or tuner, if the tuner is equipped with a bypass switch. (Try that with one of our competitors units) SEND: The signal on the SEND jack is post-input gain and pre EQ. This means that you can use the SEND signal as an auxiliary unbalanced direct output. This signal is not affected by any of the panel controls with exception of the "INPUT GAIN" control. RETURN: A plug inserted into the RETURN jack will interrupt the signal path. The signal on the tip of the plug inserted into the RETURN jack will be the signal that the DI Plus will process. INPUT GAIN: The "INPUT GAIN" is not a volume control, rather this control sets the level of amplification applied to the input signal to boost it to a useable level. The reason this is adjustable is to accommodate a wide range of pickup devices. BASS: This is an "Active" control. The BASS control adjusts the amount of cut or boost in the low frequency (150HZ) range. TREBLE: This is an "Active" control. The TREBLE control adjusts the amount of cut or boost in the high frequency (5kHZ) range. NOTCH FILTER: ON/OFF - Enables or disables the NOTCH FILTER control. FREQ. HZ - Sets the frequency (100-350HZ) of the 18db cut NOTCH FILTER that is used to control resonant feedback. SHAPE: ON/OFF - This toggle switch enables or disables the SHAPE control. This control is a mid dip control. In the ON position, the mid frequencies will be cut and the high and low frequencies will be boosted. PHASE: IN/OUT - Changes the polarity of the signal. Phase affects the way the guitar top is pressurized by the loudspeakers. When the signals are out of phase with each other, low-end feedback is minimized. If you experience “positive acoustic” feedback on stage, flip the phase switch from its current setting to see if this will kill the feedback. If inverting phase alone does not eliminate feedback, the notch filter can be used. Phase will also affect the way the guitar signal mixes live and when recording. XLR LEVEL: This control adjusts the amount of signal sent to the XLR OUT jack. LINE LEVEL: This control adjusts the amount of signal sent to the LINE OUT jack. 48V: (Phantom Power) This LED lights when there is 48V Phantom Power present on the XLR OUT jack. No battery drain will occur when Phantom Power is present. POWER: This LED indicates the DI PLUS is ready to operate. The POWER LED will illuminate when: A. A plug is inserted into the INPUT jack and there is a fresh battery installed in the DI PLUS. B. A 9VDC adapter (Wall Wart) is plugged into the power jack. (9VDC Regulated Power Supply - 500mA) (2.1MM DC Power Plug, Center +) C. There is 48V phantom power on the XLR cable plugged into the XLR OUT jack. (The 48V LED and the POWER LED will both be illuminated.) XLR OUT: Plug a standard XLR cable from your PA or recording console into this low impedance balanced output. Use the "XLR LEVEL" control to set the output level which matches up best with your PA or recording gear and gives you the least amount of noise. If your board provides 48V phantom power on the XLR cables, the DI Plus will run from this and save the battery. It is suggested that you keep a battery in the unit as a backup when using the phantom power. If the phantom power drops, the DI Plus will automatically switch to battery power. LINE OUT: This is a standard unbalanced line level output signal. Use the "LINE LEVEL" control to adjust the signal level on this jack. This output can be used simultaneously with the XLR OUT jack for some creative signal routing. Plug a standard instrument cable from this output to a stage monitor amp or unbalanced Mic input on a mixer.

Satellite finder Misuratore di Segnale Analogico per Direct TV SAT Accord Mini satellite finder Misuratore di Segnale Analogico per Direct TV SAT Orientamento Parabola Strumento di grande precisione per l'orientamento della parabola e la ricezione del segnale televisivo migliore Si tratta di un satfinder (trovatore di satelliti) controllato da un microprocessore ad alta tecnologia, che lo rende molto affidabile ed accurato La forza del segnale è presentata graficamente sul display LCD retro-illuminato. Ã^ molto sensibile e può individuare il più debole dei segnali. Frequenza 950-2150Mhz Looking for a same functional and performance with SF-9502, the price is much lower satellite finder ? Then this is your ideal stuff. Band 22K and H / V indicator is to satellite finder weapon, With their installation stars it becomes easy Features: Online IF signal strength meter excellent sensitivity, DC can pass to LNB and internal light, Built 0/22KHz 13/18V LED and buzzer Elegant appearance, easy to carry Input Frequency: 950-2150MHz / Supply voltage: 13-18V DC Maximum input level: -10dBm Minimum input level: -40dBm Learn ABC Communications Satellite Finder SF-95 to use 1, the satellite finder satellite receiver connected to the LNB on the antenna between. 2, adjusting satellite finder on the front panel knob, pointer on the dial "5" position. 3, adjusting the antenna azimuth and elevation, while satellite finder to the maximum angle of deflection of the pointer, the front panel adjustment knob counterclockwise, so that the part of the received signal attenuation, and then adjust the antenna azimuth, elevation and the LNB polarization angle, until the satellite finder until the pointer is no longer increasing. 4, with the satellite receiver determines whether the signal is the desired satellite signal. If it is, remove the finder device, the receiver can be connected with the LNB again; if the received signal is not the desired satellite signal, repeat the above work. Common phenomenon 1 - satellite finder pointer refers to the maximum point, but there is no signal. Because satellite finder signal received by the antenna direction only preliminary judge whether there is a star, rather than the desired signal is directly displayed on the satellite finder on the dial, it's just looking out signals an auxiliary device. 2 - In the case where the antenna is not adjusted, the pointer always refers to the maximum point. Check that the antenna is facing the front or the front of the building is blocked, if there is no such phenomenon exists, indicating that at this time LNB gain is too large, need to lose satellite finder signal attenuation part. Learn SF-95 satellite finder to use A cable. Instruments. TV antenna connection Operation 1 - The satellite finder side labeled "TO LNB" connected to the antenna tuner at the other side labeled "TO REC" is connected to the receiver, and the receiver and the TV turned on. 2 - receiver is turned on, the receiver out of the voltage supply 13-18V, check whether there is satellite finder lights, lights indicate satellite finder is working properly. 3 - Set the receiver in satellite data to be received. (Including local oscillator frequency, downlink frequency, symbol rate, polarization, etc.) and open to signal strength, signal quality cursor state. B finder dashboard Operation: 1 satellite finder attenuator spiral configuration, is to adjust the signal attenuation of the size of the receiver is powered, operable screw attenuator control the pointer on the scale in Table 5 grid, satellite finder will issue a faint sound, this time, a slight shake antenna near you looking for stars, satellite finder found out signal is input, the sound will increase, the pointer will also rise between cells table 8-10 scale or higher, indicating a star signal input. At this point the receiver signal quality combined with the cursor to see if what you're looking for stars. 2 satellite finder does not recognize the user to find the star signal, where there are star signal input, satellite finder always show a signal. At this time only to find out from the star receiver input signal quality parameter the cursor up to confirm. 3. Ku-band can be directly connected, C-band tune out when you need satellite finder to LNB between the string into a power splitter cable or 100 meters, in order to attenuate the signal, or satellite finder is a result of self-excited hands can not come down. 4 between the tall buildings or strong interference zone for stars, satellite finder will lead to self-excited whistle and hands can not come down. C if satellite finder signal is received and the digital machine failed to show a signal when the following situations 1 user is not looking out signals. 2 LNB polarization. Focal placement errors need to be adjusted. 3 signal is weak, turn the pointer through the bad parts is transferred between 4-5, re-adjust the antenna or LNB, the signal again increases. 4 satellite finder pointer refers to the maximum point, but there is no signal. Because satellite finder signal received by the antenna direction only preliminary judge whether there is a star, rather than the desired signal is directly displayed on the satellite finder on the dial, it's just looking out signals an auxiliary device. 5, in the case where the antenna is not adjusted, the pointer is always the maximum at the finger. Check that the antenna is facing the front or the front of the building is blocked, if there is no such phenomenon exists, indicating that at this time LNB gain is too large, need to lose satellite finder signal attenuation part

Multieffetto rack per chitarra / preamp boss gx700 racchiude in un unico rack tutti gli effetti della serie boss molto caldo e versatile prezzo 200 euro trattabili scheda tecnica boss gx700 guitar effects processor/preamp published in sos june 1996 printer-friendly version • noise gate: with user control of threshold setting. • compressor: with variable attack and release characteristics, plus control over sustain and tone. in common with all the other effects blocks, this also has a level parameter. • wah: this classic effect is familiar to guitarists everywhere, and can be recreated quite convincingly with the gx700, either under lfo or pedal control. the resonance of the wah effect can be varied, as can the frequency range over which the effect sweeps. • distortion: i suspect this section is based around the concepts used in the boss analogue pedals. the choices available include vintage od, turbo od, blues, distortion, turbo distortion, metal and fuzz. in addition to an adjustable drive level, the distortion settings also have a basic 2-band bass/treble equaliser. • preamp: this is where cosm modelling comes into play, because here you can select from several amplifier characteristics, including jc120, clean twin, match drive, big lead, ms1959 (i), ms1959 (ii), ms1959 (i+ii), sldn lead and metal 5150. the available controls include the usual bass, middle, treble and presence, as well as the volume/master volume method of setting the amount of amp distortion, and a 'bright' switch. a gain parameter is also included, which affects the distortion amount. • loop: this isn't an effect at all, but rather a means of switching in an external effect or processor. the loop function connects via the rear panel jacks, and has adjustments for both send and return levels, which is a sensible inclusion. • 3-band eq: despite the fact that the overdrive section and the preamplifier both have tone controls, there's also a 3-band equaliser with a fully parametric mid section. • speaker simulator: this again offers several choices: small, middle, jc-120, built-in 1-4, big stack 1-2, ms stack 1-2 and metal stack. there are also three possible virtual mic settings, for close miking and more distant miking, and separate level controls are provided for the mic level and the direct level. • noise suppressor: this comes at the end of the amplifier chain, but before the effects. however, because the effects can be connected in any order, it can be used elsewhere if you have a reason for doing so. personally, i'd be inclined to use it after the modulation effects (for anything that doesn't involve level modulation, such as panning or vibrato), but before any delay or reverb effects. as far as the user parameters go, these are really down to threshold and release time, though you can also choose to key the gate from either the noise reduction block's own input or from the guitar input jack.

Storica Steadicam marca CINEMA PRODUCTS (CP) mod. IIIA Workhorse della produzione cinematografica e televisiva da più di 20 anni Venduta con dotazione esaustiva di accessori FILM + VIDEO e FOLLOW FOCUS via Radio Composizione Package: •n° 1 CP Steadicam IIIA Sled + Anvil Case; •n° 1 CP CRT Monitor a fosfori verdi originale + Frame Line Generator (generatore frame line con comandi riportati) e Electronic Level (bolla elettronica); •n° 1 CP Steadicam IIIA Gimbal; •n° 1 CP Steadicam IIIA Extendable Center Post (center post estensibile); •n° 1 CP Steadicam IIIA Extendable Center Post 5" WrapGrip; •n° 1 CP Steadicam IIIA Docking Bracket con Quick Release Pin; •n° 1 CP Steadicam IIIA Junction Box; •n° 1 CP Steadicam IIIA modulo GU-V5 Video Recorder; •n° 1 CP Steadicam IIIA Support Arm Golden Springs (molle oro) + Soft Case; •n° 1 CP Steadicam IIIA VEST; •n° 9 CP Steadicam IIIA IIIA Batteries – (x9 UNITA!); •n° 1 FREZZI M1100 Advanced Battery Charger/Analyzer; •n° 3 CP Steadicam IIIA Night Battery Charger – Caricabatterie notturni/lenti(x3 UNITA!); WIRELESS FOLLOW FOCUS Starter Kit: •n° 1 SEITZ mod.8710A Remote Control Transmitter (trasmettitore 3ch per Fuoco/Zoom/Diaframma + Start/Stop Camera) - (modalità operativa duale: via radio/filo!); •n° 1 SEITZ 8720A Remote Control Transmitter Antenna; •n° 2 SEITZ 8720A Remote Control Transmitter Batteries (x2 unità); •n° 1 SEITZ 8720A Remote Control Transmitter Battery Charger (carica batterie trasmettitore); •n° 1 SEITZ 8720A Compact Receiver (Ricevitore compatto da fissare allo sled); •n° 1 SEITZ 8720A Receiver Antenna; •n° 1 SEITZ 8720A Receiver External Power Cable; •n° 1 SEITZ 8720A Receiver External Junction Box; •n° 1 SEITZ 8720A Receiver External Junction Box; •n° 2 SEITZ 8725A Dual Channel Servo Amplifier (optoisolatore/alimentatore duale/2canali x motori - x2 UNITA > Tot. 4 MOTORI'!); •n° 2 SEITZ 8725A Dual Channel Servo Amplifier Focus Cable (x2); •n° 2 SEITZ 8725A 8725A Dual Channel Servo Amplifier Iris Cable (x2); •n° 1 SEITZ 8725A 8725A Dual Channel Servo Amplifier Zoom Cable (x1); •n° 1 HEDAN Motore x fuoco incluso! (x1); •n° 2 HEDEN Cavo motore (x2); •n° 2 HEDEN Cavo motore (x2); •n° 4 HEDEN Motor Brackets (sostegni motore su canne x4 inclusi!); •n° x HEDEN Motor Idler Gears for Cannon, Fujinon and Nikon (Ruote dentate per ottiche di tutte le marche INCLUSE!); •n° 2 HEDEN Motor M.6P Gear Ruote adattatore motore (x2); •n° 1 HEDEN Motor M.48P Gear Ruote adattatore motore (x1); •n° 1 HEDEN Motor M.46P Gear Ruote adattatore motore (x1); Accessori principali:: •n° 1 CP Steadicam IIIA GU-V5 Video Recorder Cradle Power Cable; •n° 1 CP Steadicam IIIA Low Mode Cage; •n° 1 CP Steadicam IIIA Dovetail Plates (x2 unità); •n° 1 CP Steadicam IIIA 12V-24V Converter; BONUS: •Sony EVO Video 8 Recorder NTSC (perfettamente funzionante!); •Stativo bilanciamento statico/dinamico •Cavi a volontà; NOTE IMPORTANTI: •Case di trasporto marca Pelican inclusi! (x2); •Tutto perfettamente funzionante eccetto Start/Stop camera remoto (comunque raramente utilizzabile); CONDIZIONI ESTETICHE ED OPERATIVE PARI AL NUOVO NONOSTANTE L'ANZIANITA DI SERVIZIO MAI NOLEGGIO CONTO TERZI. POSSIBILE DEMO SENZA IMPEGNO D'ACQUISTO! IDEALE COME STARTER-KIT DESTINATO AD OPERATORI GIOVANI PER PRODUZIONI 35MM/VIDEO.

LD SYSTEM MEI 100 EAR MONITOR: Praticamente NUOVO, utilizzato 2 volte, vendesi per inutilizzo. Specifications MEI 100 BPR Receiver: Article No.: LDMEI100BPR Frequency range: 838 MHz to 865 MHz Image rejection: > 60 dB S/N ratio: > 95 dB THD: 90 dB, A-weighted Dimensions: 95 mm x 65 mm x 25 mm Weight: 0.57 kg Power requirements: 2 AA batteries Battery life: > 8 hours (depending on battery type) Specifications MEI 100 T Transmitter: Article No.: LDMEI100T Frequency range: 838 MHz to 865 MHz RF output power: 10 dBm Gain adjustment range: 20 dB Max. audio input level: +12 dBV Front panel controls: Power, Set, Up and Down, Headphone volume control Rear panel controls: Input level left/right, Stereo/Mono switch Input: Neutrik COMBO balanced (left/right) Dimensions: 212 mm x 90 mm x 38 mm Weight: 0.85 kg Power requirements: 12 V to 18 V at 300 mA, supplied by external power supply

SOLTON KETRON SD-1 PLUS in perfetto stato + pedaliera FS6 switch e custodia morbida. KEYBOARD 76 half-weighted keys.After touch. 6 new Velocity Curves. POLIPHONY 64 notes.32 multitimbral. SOUND GENERATION 310 New Presets (programmable), 350 GM Voices. 128 User Voices. 80 One Touch setting. 16 digital Drawbars.Up to 1000 Drum Percussion Sounds. RAM 16 MB RAM. Single &Block Sound loading. Files.Wav,Msp and Ins supported. ARRANGER 131 New Flash Styles (rewritable).168 ROM Styles. Style setting. 4 Arranger, 3 Intros/Endings, 3Fills Ins, Break, Fill To End, Jump. Interactive accompaniment. Tap tempo. Accelerando & Ritardando.Tempo Slow/Fast. 1 Touch to Style. Chord solo. BASS Manual Bass, Bass to Lowest, Basso to Root. Bassist. PIANIST Auto/Standard mode. DRUM SETS 24 New Internal Drum Sets.24 User Drum Sets. 50 Live Drums. Manual Drums.Drum Mixer.10 Drum Sections. PROGRAMS 128 Programs.4 voices.Modes:Duet,Trio,Steel,Morphing. Single & Global Program Disk loading. 2ND VOICE 2nd Voice programmable for each Preset and User Voice. 2nd Voice to Disk. MIDIFILE PLAYER SMF Song playback.Real Time song recording.Songs with lyrics,karaoke and files Txt. Juke box.Intelligent Transposer. Demo&Hit folder. Drum&Bass. Lead Off. XD Series Remap. DRUM REMIX Real time interactive MIDI ?le and Style playing. Song and Style select. OCTAVE Up/Down +/-1 Octave. HARMONY Full,Jazz,Double Up, Double Down, 5th, Bluegrass,Trill,Folk1, Folk 2, Repeat & Speed control. PORTAMENTO Rate control +/-64.Mono Legato function. TRANSPOSER +/-24 half tones AFTERTOUCH Assignable to Cut off,Volume,Bend,Slide,LFO,Attack,Treshold and Sensitivity control. MOD.WHEEL LFO to Pitch,to DCF,to DCA,Wha Wha,Swell,Rate.Rotor speed control. PITCH WHEEL Tune +/-99 Cents.Vibrato On/Off.Bend value 0/24.Bend to LFO,DCF,DCA. ARABIC SCALE Tune +/-99 Cents per note.13 Arabic set ups footswitch assignable. ACCORDION MODE International,Belgique.Left/Right velocity control.Bass octave.Bass Sustain.Bass to Chord recognition, Lower octave. Left drum to Bass &Chord. Bass Off on Stop. EFFECTS 3 digital multi effects DSP 's.60 differents effects,Reverberation,Chorus,Flanger,Delay,Wha Wha,Distorsion,Overdrive,Rotor,Equalizer +/-12 Db (Low,Middle,High).16 User Effects. SAMPLER 16 Mbyte sampling 16 Bit -44.1 KHz. Multisampler editor. Wav Sync to Style. VOCALIZER Vocalizer unit.Harmonizer.Vocoder,Melody types.MIDI Vocalist track.Left&Right assignment. Filter edit.Vocalizer modes. MICRO 2 Micro input:XRL Balanced,Mono Jack.2 Micro Out to external mixer.Level Pan Pot,Echo,Reverb,Pitch Shift+/- 12,Dry. MIDI In1,In2,Out,Thru.32 MIDI channels.General MIDI Standard. SEQUENCER 16 Tracks,150.000 notes. FLOPPY DISK 3.5 2DD/HD. HARD DISK Type ATA IDE 2.5. 6Gbyte.Up to 99 folders.Master folder. Bonus Library: Stereo Grand Piano.Orchestral sounds. 200 Midi files. 200 Song Single Registrations. 35 Patterns. Internal Style backup folder. X & XD Series Style Conversion. DISPLAY 240 X 128 Pixel baklit graphic TCF OUTPUTS Out 1Left/Mono.Out 2Right.Out 3.Out 4.Sustain Pedal.Footswitch (6 or 13 switches).Micro1 Out.Micro2 Out. GM/Keyboard Out assignment to 4 audio Outputs INPUTS Stereo headphone.MicroXRL.Micro Jack.Micro Gain control. OPTIONAL Video Interface.Volume Pedal.Volume Pedal 4 switches.Sustain pedal.Footswitch FS6-FS13.MIDI Pedalboard. COMPUTER PC/Mac Interface.Cable&Software. DIMENSIONS 119 X 39 X 12 Cms WEIGHT Kg 16.5

Vendo ampli Dymavery GA15,70 euro spedizione compresa. 15 W guitar amplifier 15.26 cm (6") speaker Guitar input with gain control 3-band equalizer (bass, midrange, treble) Level control Overdrive function, switchable, with separate distortion control Headphones output Output for external loudspeaker